Who has already participated in the Uberbau_house residences?
More than 80 art workers have already participated in the contemporary art research residency.

Uberbau_house has hosted the following activities and collective work residences:

• Diplomado Arte Aplicada a la Sociedad (2020 y 2021) – social engagement art
• Sistemática y Seductora (2018) – contemporary art biennals
• Espacio de Fala (2019, 2020 y 2022) – gender and sexuality
• Habeas Data (2016, 2017, 2018 y 2019) – art arquives and research
• Acción / Transacción (2018 y 2019) – art market and economy
• The Real Fake (2017) – social engagement art

• Residents Uberbau_house 2024 / Production

  • Dafne Valdivia Yllades (Guanajuato, México) – the relationship between nature and private property.
  • Mitzi Reyna (Ciudad de México, México) – participatory art spaces for conversations about the undesirable
  • Mara Bravo (Barranquilla, Colombia)

Residents Uberbau_house 2024 / Research

• María Alejandra Daza (Medellín, Colombia)
• José Antonio Torres (Lima, Perú)
• Alejandro Paz Romero (Bogotá, Colombia)
• Naledi Wiberg (California, United States)
• Karen Lorena Palacios (Bogotá, Colombia)
• Dyan del Rivero Terán (México City, México)
• Alberto Jiménez Meléndez (Bogotá, Colombia)
• Wladimir Ojeda Sendra (Rosario, Argentina)
• Daniel Benoit (Montevideo, Uruguay)
• Christiana Dafni Tasti (Athens, Greece / Madrid, Spain)
• Xavier Delgado (Quito, Ecuador)
• Ricardo Caicedo (Cali, Colombia)
• Joan Soto (Concepción, Chile)
• Raúl Eduardo Balderrama (Chihuahua, México)
• Alejandro Loiacono (Buenos Aires, Argentina)
• David Duponchel (Lima, Perú / France)
• David Samaniego Almeida (Quito, Ecuador)
• Denise Koziura (Quilmes, Argentina)
• Miriam Díaz Manzano (Puebla, México)
• Cecilia Andino (Chaco, Argentina)
• Alejandra Díaz Rodríguez (Bogotá, Colombia) 
• María Paula Botero (Bogotá, Colombia) 
• Paz Escadon Bossi (Santiago, Chile)
• Ana Carillo Tureo (Concepción, Chile) 
• Isabela Parra (Quito, Ecuador)
• David Caicedo (Cali, Colombia)
• Fabiana Alonso (Buenos Aires, Argentina) – curatorship and analysis of the training discourse
• Fernando Zerraga (Trujillo, Perú) – field research
• João Parente (Manãos, Brasil / Lisboa, Portugal) – methodology for researching one’s own production on subjectivity and positioning
• Laura Puerta Barco (Manizales, Colombia) – strategies for working and financing in the art market
• Cecilia Rejtma (Lima, Perú) + Nadia Isabel Callau Montero (La Paz, Bolivia) – feminist epistemology to understand the power and oppression of structural violences
• Jorge Luis Rincón Roberto (Bogotá, Colombia) – visibility of the indigenous lgtbqiapn+ population
• Yoalli Quetzal Alfaro (CDMX, México) – pedagogical strategies against oppression
• Jenny Alexandra Prado Bernal (Bogotá, Colombia) + Mauricio Colin Castillo (CDMX, México) – change in the perception of pictorial space through the use of technology

Residents Uberbau_house 2023

• Camila Lucero (Concepción, Chile / Basel, Switzerland) – images narratives 
• Gabriela Hijar (Chihuahua, México) – ceramics and sounds
• Henrique Fagundez (Canoas, Brasil) – AI images
• Jimena Granados (Mexico City, México) – containment procedures in public space
• Kiana de Tramontana (Lima, Perú) – how to set a residency program
• Adalí Torres (Lima, Perú) – male transgender representation in reggeton music.
• Felipe Ortiz (Santiago, Chile) – muralism and public politucs
• José Gilberto Castillejo (Barranquilla, Colombia) – latin american violence conflicts
• Mayte Miranda (Mexicali, México) – subjetivity in social media
• Natalia Documet (Lima, Perú) – common sense about neodivergency in pop culture
• Pierre Dalpé (Montreal, Canada) – mask and subjetivity 
• Renato Almeida (São Paulo, Brazil) – visual exercises about language and coloniality
• Mitzi Reyna (Mexico City) – analysis of performance strategies and drift in public space
• Ana del Águila (Tijuana, México) – visual orders and looting of archaeological artifacts
• Parker Brookie (Estados Unidos) – marginal subjectivities, women and lgtbqiapn+ people in dictatorships in Latin America
• Dayana Lamb (Bucaramanga, Colombia) – art, ecology and community in the territory of the river
• Graciela Álvarez Maroccolo (Buenos Aires, Argentina) – career strategies in arts, culture and sex work
• Mafer Ortiz Ballarta (Lima, Perú) – relation between music and contemporary art
• Cristina Carrasco (Cuenca, Ecuador) – institutionalism and heritage policies for contemporary art
• Manuel Vázquez Ortega (Merida, Venezuela) – history of venezuelan art in recent years
• Adriana Cesar (Montevideo Uruguay) – family genealogy from a faminist perspective
• Billy Klotsa (Grecia / London, England) – documentary on non-binary identities in urban spaces
• Carlos Guzmán (Cachipay, Colombia) – art, sustainable economy and ecology
• José Antonio Torres (Lima, Perú) – relationship between music and painting
• Stefany Jaramillo (Bogotá, Colombia)
• Yunuen Díaz (Morelos, México) – records of colonisation in popular gastronomy
• Fernando Colman (Asunción, Paraguay) – history of the local scene in Asunción, Paraguay
• Jorge Augusto Gamarra (La Paz, Bolivia) – analysis of masculinity in relation to architecture and graphics
• Lucina L. Pedrozo(Ciudad de México, México) – history of latin american video art
• Marcos Jinguba (Luanda, Angola) – relations within the art system and networks between Africa and Latin America
• Mayra Huerta (Guadalajara, México) – art, culture and social processes
• Manuel Vázquez Ortega (Merida, Venezuela)
• Ximena Pita (Rafaela, Argentina) – comparative study of the biennial institutional framework in Latin America
• Yinna Higuera (Quito, Ecuador) – construcción de una red alrededor del formato fotolibro
• Tania Guadalupe Martínez Trujillo (Ciudad de México, México) – inclusive pedagogical models from art dynamics
• Fabiana Puentes (Montevideo, Uruguay) – the relationship between political events and artistic processes in Latin America
• Gabriel Xillovich (Bahía Blanca, Argentina) – ageism and sexual practices in the queer community
• Lucia Scarselleta (La Pampa, Argentina / London, England) – R.A.R.O. grant. – history of gaucho braiding
• Mónica Martínez (Rosario, Argentina) – methodology for the production of object theatre
• Gil Mualem-Doron (London, Inglaterra) – autonomous management with arts and community practices
• Geo Moon (Seoul, Soth Corea) – technology, music and sound
• Nina Kraus (Berlin, Deutschland) – feminist influence on art institutions and curatorship

Residents Uberbau_house 2022

• Francisca Paris (Puerto Montt, Chile) – investment models for arts and culture
• Daniela Stevens (San Luis Potosí, México) – career strategy
• Ricardo Caicedo Cardona (Cali, Colombia) – representation of masculinities in photography
• Renan Teles (São Paulo, Brazil) – afrofuturism and identity constructions in racialised communities
• Verónica Zapata (Santiago de Chile, Chile) – modelos de pedagogia a partir de procedimentos artísticos
• Aaron Jiménez (Mexico City México) – how to develop an lgtbqia+ contemporary art Opera
• Alejandro Orozco (Mexico City, México) – teory of conceptual diagrams
• Ale Sotelo (Lima, Perú) – ltbqiapn+ communnity representation
• Miguel Keerveld(Paramaribo, Surinam) – social proccess curatorship
• Rosario Capanegra (Buenos Aires, Argentina) – architecture, urbanism and contemporary art
• Gianna Salamanca (Concepción, Chile) – political ecology and social change
• Julian Cardona (Medellín, Colombia) – queer epistemology
• Mía Zavalia (Pilar, Argentina) – models of poetic production
• Mónica Romero (Bogotá, Colombia) – care policies
• Sergio Gerson Zamora (Morelos, México) – alternative methodologies for the narration of art history
• Yumi Fukuda (Japón) – identity processes in the Japanese migrant community
• Tin Ayala (Quito, Ecuador / France) – industrial design and critical culture
• Astrid Suárez (Medellín, Colombia) – community practise about desaparition proccess in Colombia and Mexico
• Beatriz Paiva (Belem, Brazil) – black subjetivity in the north of Brazil
• Mika Sampaio (Teresinha, Brazil)
• Lennyn Santacruz (Quito, Ecuador) – art and history of pedagogy in America Latina
• Alexandra Trujillo (Quito, Ecuador) – processes of career production and legitimisation
• Tatyana Zambrano (Medellín, Colombia) – production processes on a trade union movement for artists
• Ely_dd (Buenos Aires, Argentina) – research on guttural sound

Residents Uberbau_house 2021

• Andrés Ovelar (Asunción, Paraguay)
• Ximena García (Mexico City, México)
• Andrea Chávez (Morelia, México)
• Alberto Patiño (Lima, Perú)
• Sofía Enríquez González (Viña del Mar, Chile)
• Cecilia Coddou and Fernanda Radetich (Santiago de Chile, Chile)
• Mariane Beline (São Paulo, Brazil)
• Elisabeth Verdugo (Cipolletti, Argentina)
• Karem Morales (Santiago de Chile) – comparation bettween Chilean and Brazil public politics.

Residents Uberbau_house 2020

• Miguel Keerveld (Commewijne, Suriname) – human as a cyborg in relation with citys
• Francisco García Villavicencio (Lima, Perú) – value in the art object
• Abari Antonio Ruiz (Tepic, México) – art and pedagogy
• Pamela Gonzalez (Tucumán, Argentina) – autonomous art management in an art community
• Uila Júnior (São Paulo, Brazil) – Brazilian history of black art
• Camila Lacroze (Montevideo, Uruguay) – contemporary illustration and painting
• Lyzú Cárcamo (Valparaíso, Chile) – applied feminism for art and culture

Residents Uberbau_house 2019

• Lía Arenas (Santiago de Chile) – an art managment as a mobile body in the space.
• Wynnie Mynerva Mendoza (Lima Perú) –  the lgtbaiapn+ community in realation with the religion hegemony in Perú and Brazil. 
• Viviana Errecalde (San Martín de los Andes) – Local Scene of San Martín de los Andes, Argentina. 
• Luis Enrique Zela-Koort (Lima, Perú) – the relation between the capitalist machine, nature and the construction of subjetivity.
• Manuel La Rosa (Santiago de Chile) – a relation between nature and technology in contemporary art.
• M. Román (Lima, Perú) – contemporary art and social normative institutions.
• Andrés Argüelles (Lima, Perú) – the problematic of painting as contemporary art.
• Heleen de Hoon (Tilburg, Netherlands) – contemporary art in public spaces.
• Martha León Nava (Ciudad de México, México) – residency models for art and community.
• Alexandra Mora -Úrsula Ramirez Giraldo – (Manizales, Colombia) – journalistic clown and performance in Colombian scenes.
• Nancy Alvarado (Tucumán, Argentina) – ceramics in the relation between artisans and contemporary art.

Residents Uberbau_house 2018

• Michel Marx (Montevideo, Uruguay) – artist role in Montevideo Local Scene Local 
• Andrea Ferrero (Lima, Peru) – Memory process in Latin America 
• Romina Estecher (Buenos Aires, Argentina) – recurrency in contemporary art process 
• Pablo Foladori (Buenos Aires, Argentina) – the relation between Opera and contemporary art practices
• Felipe Nuñez (Oaxaca, Mexico) – la posibilidad de manifiesto de pintura contemporáneo
• María de los Ángeles Otarola (Mar del Plata, Argentina) – gestión cultural y gestión de arte
• Majo Vidal (Buenos Aires, Argentina) – art and feminism
• Jesús Jimenez (Morelia, Mexico) – concrete poetry and violence 
• Tarix Sepúlveda (Santiago de Chile) – arquitecture 
• Mateo Lopez Imán (El Bolsón, Argentina) – lingüístic genocide. symbol, power and contemporary art in Latin America.
• Genietta Varsi (Lima, Peru) – domestication and discipline of the human body.
• Frances Munar (Lima, Peru) – sound architecture. Dialogues between codes and intersubjectivity for Latin America.

Residents Uberbau_house 2016 / 2017

• Juan Fernando Lopez (Bogotá, Colombia) – economy and autonomus art management 
• Laura Carvalho (São Paulo, Brazil) – the relation between color, architecture and the context
• Dafne Valdivia (Guanajuato, Mexico) – formal institutions v.s. autonomous art managements 
• Dana Ferrrari (Buenos Aires, Argentina) – history of the artist role
• Jazmin Saidman (Buenos Aires, Argentina) – art pedagogy and didactics 
• Guillermo Rodriguez (San Juan, Puerto Rico) – art and technology 
• Leonel Mittmann (Porto Alegre, Brazil) – pixaçao, graffiti  and urban art 
• Abhishek Panchal (Mumbai, India) – artist as a educator 
• Estíbaliz Barato (Madrid, Spain) – analisis models for art production 
• Andrea Ospina (Manizales, Colombia) – art management, cultural management and temporal exception zone
• Fernanda Avendaño (Santiago of Chile) – architecture and social body 
• Natalia Murcia (Bogotá, Colombia) – contemporary art as methodology of research
• Silvia Mariotti (Milan, Italy) – the relation between visual and literary production 
• Naoko Mabon (Scotland, UK) – construction of identity in japanese culture in Brazil